• Materials for preparing incense
    Watch our video on preparing incense for use in liturgies.

Welcome to the Center for Liturgy and Music! Within these pages you will find tools and resources to enliven the music, liturgy, and preaching in your parish. We subscribe to the belief that worship is the first priority of the Church, and that imaginative, transforming worship leads a congregation toward effective discipleship and into mission, whether across the street or across the world. So, whether you are looking for an answer to a particular question, need a consultant to come to your parish or diocese, or want to take an online course in liturgy, this is the place for you. Look for us on Facebook and on Twitter. We’re here to serve!

Hymns as Anthems for Holy Week

Have you found that you may be missing some singers for Holy Week but want a choir presence for these services?  Here are some suggestions for using hymns as anthems.


H82 #164                   Alone thou goest forth, O Lord

  • For those with four parts, sing unison on Stanzas 1 and 4 and part on Stanzas 2 and 3
  • Sopranos can sing the tenor line an octave higher on Stanza 4
  • Alternate high and low voices on the inner stanzas.

H82  #439      What wondrous love is this

  • Use a guitar for accompaniment
  • Sing one stanza in a canon
  • Use the harmony with the melody in the tenor
  • Have the tenors and basses drone on D and A while sopranos and altos sing the melody on Stanzas 1 and 3 and a soloist on Stanza 2
  • Use handbells on a low D and A

WLP #735      O sacred head sore wounded (WLP)

  • Have the choir sing on Stanzas 1 and 3 and a soloist on Stanza 2

VF    #42        Would you share Christ’s passion (VF)

*          If four parts are available sing Stanzas 1 and 3 in part and sopranos on the melody and other parts humming or oohs on the parts.


H82  #439                  What wondrous love is this (see Palm Sunday)

H82  #329                  Now, my tongue, the mystery telling

  • Alternate high and low verses and sing one stanza a capella with soft bells
  • For the last two stanzas use an alternate tune such as St. Thomas, a capella if possible

H82  #322                  When Jesus died to save us

  • If four parts are available sing the whole hymn in parts
  • If only two parts are available have the high voices sing the melody and the low voices sing the tenor line. Reverse on Stanza 2

H82  #606                  Where charity and love prevail

  • All on the antiphon and alternate high and low voices for the stanzas
  • Sing one stanza a capella with some soft random bells (F5, G5, B5, D6)
  • If a C instrument is available, use some of the notes in the alto and tenor lines of the accompaniment one octave higher


LEVAS #33                 He never said a mumbalin’ word

  • Sopranos or soloist on “They crucified my Lord” each time and four parts on the remainder
  • Tenors or soloist on alternate stanzas

WLP  #735                 O sacred head (see Palm Sunday)

H82  #164                  Alone thou goest forth, O Lord (see Palm Sunday)

H82  #159                  At the cross her vigil keeping

  • Alternate high and low voices unaccompanied
  • Add a bell at each half note to keep pitch refreshed
  • Make one stanza accompanied in 4/4 time

VF     #43                   At the foot of the cross (VF)

  • Piano and C instrument on the melody
  • Alternate between high and low voices